A few months later, he wrote again. Again it was in a language she did not speak, and so she ran his words through the online translator:
Tamara, I want to re-examine you and remember like what it felts to extend my face in the small one of your back. I come in two months. Loan? Yours, Daniel
After reading this, she experienced the odd sensation of warmth every time she went to the bank to make a deposit. Endorsing a check was never quite the same.
04 February 2009
03 February 2009
One had blonde curly hair
One had blonde curly hair and a rounded, voluptuous body. Her laugh was loud and boisterous, but she ate with a relish to the point of shoveling food into her mouth. She was smart in the way of newspapers and people and not afraid to share her opinions. Being with her was always interesting but sometimes exhausting because she would always look you straight in the eye, which demanded responses. The other was willowy and dark, her hair so fine and straight that it never stayed up in a ponytail. She was very quiet, but when she spoke, she expressed such strange, rare thoughts that her flat affect seemed intriguing instead of zombielike. She was not nearly as fun and lively, but she was so mysterious that it was almost irresistible. Who should he choose? He sat alone at the bar and pondered the question.
02 February 2009
I had a dream last night
I had a dream last night that there was a storm on Pluto. The raindrops hit the soil and turned into diamonds that battered my face like little knives. I woke up with the imprint of my ring pressed in my skin. He was sleeping beside me, the outline of his body like a mountain range against the pale light of dawn. When I went back to sleep, my dreams turned to the ocean. The waves had completely stopped and in them the fishes died, coming to the water's surface like diamonds scattered on the wind. I reached down to touch them, but my fingers were gone.
labels:
dreams,
Florida,
relationships
01 February 2009
There was a postcard waiting for her
There was a postcard waiting for her already when she got back. He wrote it in his native language, which she did not know a word of. She ran it through an online translator and this is what it came up with:
Dear Tamara, j' wanted to remain longer but j' had a plane to catch. Perhaps I will be in spring. My back will be never identical. It wounds all through my spine. Yours, Daniel
The night was not as poetic as she had remembered, but she was grateful for the acknowledgment at any rate.
Dear Tamara, j' wanted to remain longer but j' had a plane to catch. Perhaps I will be in spring. My back will be never identical. It wounds all through my spine. Yours, Daniel
The night was not as poetic as she had remembered, but she was grateful for the acknowledgment at any rate.
31 January 2009
He was like the tallest tree in the forest
He was like the tallest tree in the forest, a head above everyone in the crowd, staring straight ahead at the television playing vintage 70s porn on the screen. That, he said, pointing his beer bottle at the scene, that is what I call too high of a standard.
We talked about politics, living in San Francisco, a Tennessee Williams play, small towns in Texas. He mentioned his girlfriend a few times and alluded to the apartment they shared uptown, a duplex they lived in. His downstairs neighbor was a half-deaf elderly Chinese woman who didn't really hear the guitars playing late at night.
Like a gentleman, he put me in a cab when I left, giving me a courtly bow. He handed me his card, placing it carefully in my hand, balanced between the heart and life line on my palm. Call me, he said. I looked down at his name as the cab pulled away and the wind blew around him at cross-purposes. Through the window I watched him walk back into the bar, hands stuffed in his pockets like armor.
We talked about politics, living in San Francisco, a Tennessee Williams play, small towns in Texas. He mentioned his girlfriend a few times and alluded to the apartment they shared uptown, a duplex they lived in. His downstairs neighbor was a half-deaf elderly Chinese woman who didn't really hear the guitars playing late at night.
Like a gentleman, he put me in a cab when I left, giving me a courtly bow. He handed me his card, placing it carefully in my hand, balanced between the heart and life line on my palm. Call me, he said. I looked down at his name as the cab pulled away and the wind blew around him at cross-purposes. Through the window I watched him walk back into the bar, hands stuffed in his pockets like armor.
30 January 2009
The elevator shook and groaned up the nine floors
The elevator shook and groaned up the nine floors, rattling like a cage to a medieval prison cell. The shaking made the edges of their mouths more frantic and jittery, which made him more excited and urgent against her. She wasn't entirely sure if the physical motion reflected what she really felt, but she went with it. It was enough of an adventure.
The doors opened and they spilled out into the room. In the corner of her eye she caught a glimpse of a curve of -- concrete? No, a curved plank. A skate ramp. Piles of records on the floor. Just a stereo in a corner, but a huge one, huge speakers, huge subwoofers. And pushed like an afterthought in the corner of the gigantic loft, a gigantic messy bed, its sheets falling off. Her head turned to look at it closer, and he kissed her neck instead.
R. pulled her in the room, a small grin tugging at the corner of his lips. Make yourself at home, he said, breath hoarse and warm, as he ran off to the bathroom. She looked around her, but there was nothing really to see -- nothing on the walls at all, just window upon window upon window overlooking the desolate downtown.
She approached the skate ramp, dotted and flourished with graffiti: handwriting, slogans, pornographic figures. She sat down in the ramp's curve, the wood of it oddly warm and wrapped around her. She read a grocery list written in green marker on the ramp's edge: beer, English muffins, peanut butter, popcorn, Twizzlers. It was surrounded by a thicket of words and drawings, crammed together on the surface, as if all the life in the room teemed into one spot like small insects on a lightbulb. It buzzed like a million little voices, a tangle of a life whose edges she could sense but barely touch. Underneath the tips of her fingers, indentations of the carvings felt warm. She touched it absentmindedly, running her finger along its curves and edges. She looked down and realized she was touching a picture of a flying car fucking a bird. Someone had nestled it into the borders of a skid mark, slashed black against the wood.
She wanted to take out a pen and write her name down on the ramp, write "S.P. WAS HERE" with a flourish. Maybe she would draw a cloud around it, or sketch something relentlessly girly, like a rainbow or a unicorn or a daisy. Or maybe she would write a song lyric instead, maybe of the band they had just gone to see; he would be more likely to examine it perhaps, and remember. But then she realized it would hardly matter. It was like a monument, this ramp: it pressed the tiniest details into the flatness of one meaning. It would never leave the room, it would go on accumulating more and more lists, doodles, and names as time passed and made everything fade and weaken. The air in the room would become cold, and only the monument would remain. And either she would blend into it like one small scrawl in a larger drawing, or be erased entirely by the endless motion of riding up and down, up and down, like a wave that refused to bend to shore.
She looked around at the room around her, the space filling with the sound of his approaching footsteps getting closer and closer, the windows revealing the skyline beyond. Everywhere she looked was full of space. She glanced up from the spot she was going to fill, imagining it carved with her name in capital letters, carved so hard that the wood splintered with the pressure at the edge of her knife. She could practically hear it scrape against the wood, practically felt her hand buckle and shake with the effort, fingers coiled tightly around the handle as her own nails bit into her palm.
And there he was, at the top of the ramp. Hey, he said, his voice lazy and affectionate, the word cradled in its echo by the curve of the wood as he skidded down towards her.
The doors opened and they spilled out into the room. In the corner of her eye she caught a glimpse of a curve of -- concrete? No, a curved plank. A skate ramp. Piles of records on the floor. Just a stereo in a corner, but a huge one, huge speakers, huge subwoofers. And pushed like an afterthought in the corner of the gigantic loft, a gigantic messy bed, its sheets falling off. Her head turned to look at it closer, and he kissed her neck instead.
R. pulled her in the room, a small grin tugging at the corner of his lips. Make yourself at home, he said, breath hoarse and warm, as he ran off to the bathroom. She looked around her, but there was nothing really to see -- nothing on the walls at all, just window upon window upon window overlooking the desolate downtown.
She approached the skate ramp, dotted and flourished with graffiti: handwriting, slogans, pornographic figures. She sat down in the ramp's curve, the wood of it oddly warm and wrapped around her. She read a grocery list written in green marker on the ramp's edge: beer, English muffins, peanut butter, popcorn, Twizzlers. It was surrounded by a thicket of words and drawings, crammed together on the surface, as if all the life in the room teemed into one spot like small insects on a lightbulb. It buzzed like a million little voices, a tangle of a life whose edges she could sense but barely touch. Underneath the tips of her fingers, indentations of the carvings felt warm. She touched it absentmindedly, running her finger along its curves and edges. She looked down and realized she was touching a picture of a flying car fucking a bird. Someone had nestled it into the borders of a skid mark, slashed black against the wood.
She wanted to take out a pen and write her name down on the ramp, write "S.P. WAS HERE" with a flourish. Maybe she would draw a cloud around it, or sketch something relentlessly girly, like a rainbow or a unicorn or a daisy. Or maybe she would write a song lyric instead, maybe of the band they had just gone to see; he would be more likely to examine it perhaps, and remember. But then she realized it would hardly matter. It was like a monument, this ramp: it pressed the tiniest details into the flatness of one meaning. It would never leave the room, it would go on accumulating more and more lists, doodles, and names as time passed and made everything fade and weaken. The air in the room would become cold, and only the monument would remain. And either she would blend into it like one small scrawl in a larger drawing, or be erased entirely by the endless motion of riding up and down, up and down, like a wave that refused to bend to shore.
She looked around at the room around her, the space filling with the sound of his approaching footsteps getting closer and closer, the windows revealing the skyline beyond. Everywhere she looked was full of space. She glanced up from the spot she was going to fill, imagining it carved with her name in capital letters, carved so hard that the wood splintered with the pressure at the edge of her knife. She could practically hear it scrape against the wood, practically felt her hand buckle and shake with the effort, fingers coiled tightly around the handle as her own nails bit into her palm.
And there he was, at the top of the ramp. Hey, he said, his voice lazy and affectionate, the word cradled in its echo by the curve of the wood as he skidded down towards her.
labels:
elevators,
kisses,
Los Angeles,
R.,
S.P.
29 January 2009
The first thing she noticed was how old he looked
The first thing she noticed was how old he looked: old mustard-colored windbreaker, old Peruvian ski cap, even the bits of grey in his eyebrows. It had only been a year ago but already he existed in the realm of the drunken anecdote: the half-incredulous "Can you believe it?" laughed with friends over drinks, the evidence produced in analytic conversations regarding modern romance. To see him drifting towards her on the sidewalk through the wind and sleet -- it was like passing through the frame of a foreign film whose language she had forgotten, a movie she had watched half-asleep and could barely remember.
He passed her on the street, and she looked away -- hiding her face from him in case he noticed that she had gotten older, too. Who knew what he would remember of her? She hoped nothing. Nothing was what came out of it, after all. But he gave her a hard look as they passed by one another, and her face felt hot with shame and embarrassment because she knew he remembered.
He passed her on the street, and she looked away -- hiding her face from him in case he noticed that she had gotten older, too. Who knew what he would remember of her? She hoped nothing. Nothing was what came out of it, after all. But he gave her a hard look as they passed by one another, and her face felt hot with shame and embarrassment because she knew he remembered.
labels:
encounters,
New York,
on the street,
romance (failed),
unnamed man,
unnamed woman
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